It would be difficult to find someone who doesn’t appreciate the Winnie-the-Pooh stories, but I do have a question for you: Which Winnie-the-Pooh do you know?
Do you know only the cute cartoon Pooh Bear whose facile, happy-go-lucky visage traverses the screen in classic Disney cartoons? If so, you may want to become familiar with the original Winnie-the-Pooh whose seemingly dense but truly thoughtful proclamations speak to the depths of a child’s heart. His friend Tigger is not the hyper, bouncy-flouncy character he is portrayed as in the films or Disney versions in their little children’s picture books. You can even see these contrasts through Milne’s drawings. For instance, Tigger’s visage and persona are not goofy: he is joyous, and there’s a difference. He may have silly aspects to him but like the others who inhabit the wood, he and his friends are sober-minded, genuine characters who express real questions and observations about their world. For instance, Eeyore is the personification of the side of us which thinks the worst; he reveals to children how others see pessimism, but he also “allows” them to feel this sad side of life. Children with a melancholy bent may find comfort in knowing Eeyore while at the same time recognizing that there is more to life than the discouragement he personifies. Christopher Robin’s living stuffed animals are only stuffed in the sense that they are full of the wonderment and curiosity of God’s children.
The inhabitants of The Hundred Acre Wood reflect the trust Milne had in the insights of children and also, the puzzlement they express about the larger reality, for they do not yet know the infinitude and the limits and of the world. They don’t know what bees can do; they don’t know what balloons cannot do. They don’t know that they may get stuck in a knothole in a tree. Unlike many children today, they (and Christopher Robin) have occasion to do a lot of waiting. They wait by their homes: they wait, and wait, and wait. And while they wait, they have the opportunity to think and we, their friends, get to hear their cogitations and ponder along with them. We especially get to know Pooh’s thoughts about that which he considers or does not understand as he navigates his way through a world he doesn’t comprehend but believes in.
The tone and atmosphere of Milne’s books are in stark contrast to the Disney movies. The stories are placid and meditative. They are slow-moving and polite. They focus on the interior lives of children. When Christopher Robin first bumps down the stairs with Pooh, he opens our eyes and returns us all to a world of childlike wonder where the imagination is celebrated with bliss, freedom, and a sense of rightness. The real Winnie-the-Pooh belongs alongside The Tale of Peter Rabbit as one of the best children’s/adults’ stories of all time.
*You can find the original Winnie-the-Pooh stories by A. A. Milne in any good bookstore or online. There are several books of stories and a book of poems for younger children, also, entitled Now We are Six.
©Cindy C. Lange, MA